Summary:
The narrator, whose name we never
learn, is a victim of sorts. Not of her own oppressive government; not of
neighboring Iran or even the United States, though war-time violence will
certainly affect her life; but of the constant culture-based battling of her
parents. The narrator's mother, who insists that she attend the School of Music
and Ballet and forbids her to play with the shoeless neighbor children, is
English. Her father, with whom the narrator identifies more (she refers to him
as "you," as though writing the story to and for him), is Iraqi. The
narrator is constantly pulled first in one direction then another, never
knowing which language she should speak to stop her parents' yelling; aware as
she matures that she is somehow a pawn in their east-meets-west conflict. It is
a struggle Khedairi must be familiar with, as her own mother is from Scotland
and her father is from Iraq.
The first argument witnessed by the
reader involves the narrator's enrollment in the School of Music and Ballet.
Her father insists that she will become spoiled, to which her mother retorts:
"But the schools here are so deprived." Although attending the school
does awaken a love of dance in the narrator, at the age of six, all she cares
about are the forbidden hours of play with her beloved neighbor and best
friend, Khaddouja. For several years the troubled family continues life on the
small farm, the mother becoming slightly more acclimated to life in Iraq and
both parents placing more emphasis on their daughter's education. Then, a
turning point: wading barefoot in a stagnant river causes Khaddouja to become
critically ill. With the death of her best friend, her father's failing health,
and the family's move into the city of Baghdad, the narrator begins to change
from a girl into the person she will become.
As her father's health continues to
decline and her mother spends more time with her English friend David, the
adolescent narrator begins to learn her father's trade, which has to do with
naming food flavorings and scents. Her mother drifts further from her family
until finally her husband cannot handle her western indiscretions and begins
trying to impose restrictions, claiming he's given her "too many
liberties." One evening, after lessons, her father says: "My
daughter, there's something very important you must know about."
"You're getting a
divorce?"
"No, a war with Iran has
started." And so it begins, filling life with blackouts, supply shortages,
"volunteering" toward the war effort, and the constant fear of
bombing raids. Although many students at the School of Music and Ballet leave
to attend "real" schools, art having become superfluous, the narrator
stays to study with a ballet dancer referred to only as Madame. Madame becomes
a mentor and driving force in the narrator's life, and even introduces her to a
man who will become her first lover.
The third stage of the novel takes
place after the narrator has gone to university and her father has died of a
heart attack. Her mother, having lost her husband and her lover as well, is now
sick herself, with breast cancer, and wants to return home to England. This is
the point where the detached, impersonal tone of the writing begins to become,
in my opinion, a flaw in what is otherwise a beautiful novel. The narrator
moves to England to be with her mother in her illness, and it is clear that she
is not content with the decision, though she never says why. We are left to
guess at her motivations and feelings as her mother does not get any better and
the United States begins bombing Iraq in the Gulf War, a conflict that this
time the narrator is only aware of through news reports and Madame's sporadic
letters. We do, however, absorb the feeling of melancholy and helplessness
through the narrator's failed English trysts and friendships, and the
relentless gray and rain of the country where her mother was born.
The Theory:
Territorialism discusses how an individual tries to protect his/her possessions. it is creating a specific boundaries or markers on certain things.
Criticism:
A Sky So Close by Betool Khedairi is a novel that falls under the theory of Territorialism. The story is about the young the young woman whose name was never mentioned recalls her childhood in a small village of Zafraniya, outside of Baghdad. The whole story was enclosed with a war between Baghdad and Iran claiming for a territory. The whole story rotates on how the war affect the lives of people and especially the girl's emotional and psychological aspect.
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